From Frederick Exley's A Fan's Notes, 1968:
Then I would say, "How the Giants going to make out Sunday, Leo?" Having known the question would come, Leo would smile. The nightmare of the week was over.
Why did football bring me so to life? I can't say precisely. Part of it was my feeling that football was an island of directness in a world of circumspection. In football a man was asked to do a difficult and brutal job, and he either did it or got out. There was nothing rhetorical or vague about it: I chose to believe that it was not unlike the jobs which all men, in some sunnier past, had been called upon to do. It smacked of something old, something traditional, something unclouded by legerdemain and subterfuge. It had that kind of power over me, drawing me back with the force of something known, scarcely remembered, elusive as integrity---perhaps it was no more than the force of forgotten childhood. Whatever it was, I gave myself up to the Giants utterly. The recompense I gained was the feeling of being alive.
The choice of The Parrot as a place to view the games was not an arbitrary one. There had been a time, some two or three seasons before, when I had been able to bounce up and down---shouting, "Oh, God, he did it! Gifford did it! He caught the goddam thing!"---in any place, in any company, and feel neither timidity nor embarrassment. But as one year had engulfed another, and still another, each bringing with it its myriad defeats, as I had come to find myself relying on the Giants as a life-giving, an exalting force, I found myself unable to relax in the company of "unbelievers," in the company of those who did not take their football earnestly or who thought my team something less than the One God. At those times, in those alien places, I felt like a holy man attempting to genuflect amidst a gang of drunken, babbling, mocking heretics.
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