From Paul Gallico's 1938 Farewell to Sport:
. . . the crowd as a whole plays the role of Greek chorus to the actors on the field below. It reflects every action, every movement, every changing phase of the game. It keens. It rejoices. It moans. It jeers. It applauds and gives great swelling murmurs of surprise and appreciation, or finds relief in hug, Gargantuan laughs. I can stand outside of a ball park and listen to the crowd and come close to telling exactly what is happening on the diamond inside. That quick, sharp explosive roar that rises in crescendo and is suddenly shut off sharply as though someone had laid a collective thumb on the windpipe of the crowd, followed by a gentle pattering of applause, tells its own story, of a briskly hit ball, a fielder racing for it, a runner dashing for the base. The throw nips the runner and the noise too. That steady "Clap-clap-clap-clap-clap . . . " Tight spot. Men on base, crowd trying to rattle the pitcher. A great roar turning into a groan that dies away to nothing -- a potential home run, with too much slice on it, that just went foul. The crowd lives the actions of the players more than in any other game. It is a release and something of a purge. It is the next best thing to participation.
Tags: Paul Gallico, Farewell to Sport
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